By Barbara Lalla,Jean D'Costa,Velma Pollard

Caribbean Literary Discourse is a examine of the multicultural, multilingual, and Creolized languages that represent Caribbean discourse, particularly as mirrored within the language offerings that preoccupy inventive writers.

Caribbean Literary Discourse opens the hard international of language offerings and literary experiments attribute of the multicultural and multilingual Caribbean. In those societies, the language of the grasp— English in Jamaica and Barbados—overlies the Creole languages of the bulk. As literary critics and as inventive writers, Barbara Lalla, Jean D’Costa, and Velma Pollard have interaction historic, linguistic, and literary views to enquire the literature bred through this complicated historical past. They hint the increase of neighborhood languages and literatures in the English conversing Caribbean, specifically as mirrored within the language offerings of artistic writers.

The examine engages difficulties: first, the historic fact that normal metropolitan English proven by way of British colonialists dominates professional monetary, cultural, and political beliefs in those former colonies, contesting the advance of vernacular, Creole, and pidgin dialects even one of the region’s indigenous inhabitants; and moment, the truth that literary discourse built less than such stipulations has bought scant attention.

Caribbean Literary Discourse explores the language offerings that preoccupy artistic writers in whose paintings vernacular discourse screens its multiplicity of origins, its elusive obstacles, and its so much vexing matters. The authors deal with the measure to which language selection highlights political loyalties and tensions; the politics of id, self-representation, and nationalism; the consequences of code-switching—the skill to trade intentionally among various languages, accents, or dialects—for identification in postcolonial society; the wealthy rhetorical and literary results enabled by means of code-switching and the problems of acknowledging or instructing these levels in conventional schooling platforms; the longstanding interaction among oral and scribal tradition; and the predominance of intertextuality in postcolonial and diasporic literature.

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Caribbean Literary Discourse: Voice and Cultural Identity in the Anglophone Caribbean by Barbara Lalla,Jean D'Costa,Velma Pollard


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